This is a detail of Compass, a giclée print by Susie Freeman from 2012 and the inspiration and title for an exhibition of her recent work at Art@42 from 28th March. Continue reading “Compass”
Rowley Gallery Blog
This is a detail of Compass, a giclée print by Susie Freeman from 2012 and the inspiration and title for an exhibition of her recent work at Art@42 from 28th March. Continue reading “Compass”
Hojas de Papel / Falling Leaves / Installation / Handmade Paper Piece. I wasn’t sure about the title so I’ve just put it all. As a papermaker I often look at the leaves and flowers of a plant and wonder how they will react in the papermaking process in terms of texture, colour and fibres. Continue reading “Falling Leaves”
Most of my working life has been combining making paintings and prints and teaching, some of the time in Art Colleges, but mostly as a schoolteacher. A while back I read David Wiseman’s lovely post, Garden Studio. When I finished full time teaching last summer, I decided to have a posh shed built, which would enable me to work at the end of my garden in suburban London. Continue reading “The Posh Painting Shed”
After seeing the final episode of Waldemar Januszczak’s Baroque!-From St Peter’s to St Paul’s, in which he singled out the Queen’s House as possibly the most important little building in the whole of British architecture, we felt inspired to visit this previously overlooked prime site. Continue reading “The Queen’s House”
We recently received six new paintings by Margaret McLellan inspired by trips to her favourite parts of Dorset. The first three Longhouse paintings find Maggie revisiting Toller Fratrum before returning to her beloved Isle of Purbeck for three Quarry paintings. Continue reading “Dorset Developments”
On this misty morning I’m reminded of a foggy walk last summer to see the Devil’s Frying Pan, though it looked more like the Devil’s Steaming Pan with montbretia (crocosmia x crocosmiiflora) turned up to gas mark 10. Nothing was visible beyond the edge of the cliff path except for a lovely glowing halo, like a white rainbow. Continue reading “The Devil’s Frying Pan”
I know, it’s wishful thinking but it’s been such a long time. This is George’s sundance incantation from The Concert For Bangladesh together with just some of the many suns of Christopher Corr.
This is a giclée print from a watercolour, pastel and charcoal drawing by Chris Ofili, Study For Ovid-Windfall. In 2012 Ofili painted a huge backdrop for the Royal Opera House production of Diana & Actaeon, a collaboration between the National Gallery and the Royal Ballet and a celebration of Titian’s paintings of Ovid’s Metamorphoses. Ofili immersed himself in Ovid’s shapeshifting tales of transformation. His image of windfall/waterfall/shower of gold came twice for framing. Continue reading “Ofili Cum Ovid”
Duke Ellington and Joan Miró at Fondation Maeght in St Paul de Vence, Côte d’Azur, France.