Beetle, Crayfish & Mussel

Tansy Beetle

Two new prints just arrived from Beatrice Forshall, both drypoints printed from multiple plates in small editions and hand-coloured, which means they’re short-lived and not designed for mass production. It’s a form that suits the content, since these are images of endangered species. This tansy beetle is just a detail; for the complete picture, and Bea’s thoughts on the subject, please see below. Continue reading “Beetle, Crayfish & Mussel”

Frames of reference

Mike McInnerney At Kensington Place

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We recently installed a green wall at Kensington Place. Mike McInnerney is the seventh artist to occupy their Art Wall and he’s filled it with a fantastic forest of trees. Continue reading “Mike McInnerney At Kensington Place”

Frames of reference

Mondrian In Amsterdam

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Whilst I was preparing the Malevich In Amsterdam post I kept uncovering photos of Mondrian paintings from last year in Amsterdam. There are presently exhibitions in Margate and Liverpool marking seventy years since his death, so it seemed appropriate to post some of those photos here, in memory of Mondrian in Amsterdam. Continue reading “Mondrian In Amsterdam”

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Recent Etchings

Seaford Head from Beachy Head' etching aquatint, plate size 16 x 30 cm

I learned how to do etching from Bartolomeu dos Santos when I was a student at the Slade School of Fine Art in the late 1970’s. After I had graduated, no longer having easy access to a print room and a shortage of funds meant I had to improvise equipment in order to carry on printmaking. I developed my own way of applying aquatint and a converted mangle gave me rough working proofs for a couple of years. The search for part time teaching work took me to the Northeast of England, where I immediately became a member of Charlotte Press in Newcastle. There I had open access to a well-equipped print room and could further develop my technique and produce editions. Continue reading “Recent Etchings”

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