Rowley Gallery Blog
Kazimir Malevich and the Russian Avant-Garde was an exhibition last year at the Stedelijk Museum in Amsterdam. It then transferred to the Bundeskunsthalle in Bonn and it will soon arrive at Tate Modern in London. Here are a few photos of its appearance at the Stedelijk. Continue reading “Malevich In Amsterdam”
Hi Chris, I thought you might like this photo of one of my monoprints travelling around Salobreña on the back of a bus! Continue reading “SaloArte”
The Tour de France arrives today, from Cambridge to London via Epping Forest. Christopher Corr has been watching its progress, and it looks like the cyclists have got the trees all rounded up.
TfL: Tour de France 2014 / The Grand Départ 2014 / Epping Forest
We started at East Bergholt, birthplace of John Constable whose father owned Flatford Mill, and where his first studio still stands, now a domestic residence but commemorated with a plaque. Continue reading “Flatford Mill”
I learned how to do etching from Bartolomeu dos Santos when I was a student at the Slade School of Fine Art in the late 1970’s. After I had graduated, no longer having easy access to a print room and a shortage of funds meant I had to improvise equipment in order to carry on printmaking. I developed my own way of applying aquatint and a converted mangle gave me rough working proofs for a couple of years. The search for part time teaching work took me to the Northeast of England, where I immediately became a member of Charlotte Press in Newcastle. There I had open access to a well-equipped print room and could further develop my technique and produce editions. Continue reading “Recent Etchings”
“True wisdom comes to each of us when we realise how little we understand about life, ourselves, and the world around us.” (Socrates?) Continue reading “On Painting”
In 2012, Irish TV viewers were asked to choose their favourite painting. Ardal O’Hanlon chose Sean Scully’s Wall Of Light, Orange Yellow in Dublin City Art Gallery, The Hugh Lane. He got my vote.
A quintet of five new paintings by Sean Scully entitled Kind of Red, at the Timothy Taylor Gallery. This is painting as a martial art: prepare, focus, get to work; there’s a no-nonsense approach to these blocks of colour thrown onto huge sheet metal plates, rocking in rhythm across the wall. It’s easy to imagine Scully dancing before them wielding a fat wall-painting brush. And in the exhibition catalogue there’s a wonderful, curious and perceptive essay by Richard Williams. Continue reading “Kind Of Red”
My new exhibition, All That Other Mother Jazz, starts next Tuesday, in the fair city of Portsmouth. Come along if you can. Cheers, Jonny.
Jonny Hannah / The Rowley Gallery
We finally got to see Henri Matisse: The Cut Outs, the long awaited exhibition at Tate Modern, though perhaps a wet bank holiday Monday during half-term was not the ideal time to visit. Continue reading “Matisse, Scissors, Paper”