We visited Montepulciano a few times last summer. The first visit was brief, having walked there and knowing we had to walk back, we stayed just for lunch and a quick look around. Through the gate, we followed the Corso winding steeply up through the town, feeling hungry and exhausted, sightseeing long enough for somewhere to rest awhile before heading back. We climbed all the way to the church of Santa Maria at the top of the town, only to return back down again, eventually finding a table near the Porta al Prato where we first came in. Continue reading “Montepulciano”
It was a circular walk, there and around and back again, but I got carried away with the camera and took far too many photos, so it might seem we were gone for three days instead of just the one. We were staying in Montefollonico – this quiet fortified village, with its small medieval houses, is Sienese in atmosphere, and inhabited by numerous doves and pigeons – and from our terrace we could see the birds come home to roost each day, across the valley from Montepulciano. Continue reading “Walking To Montepulciano”
I found a book under the Christmas tree, a souvenir of Italy. It’s full of spectacular tree photographs, apparently caught by flashlight; night-time dreaming trees suddenly startled awake. They are by the Swiss photographer Irene Kung –
“In my way of working it is possible to reinstate the tree to what I felt. That is exactly what I do with my work: I remove everything unessential in order to show the tree as it is, as I feel it. It is intuition, it is irrational: rationality can be misleading, sentiment cannot… I return the tree to what I have felt – its essence… A positive and fruit-bearing message in the face of crisis.”Continue reading “Trees: Irene Kung”
This year’s card is from a painting by Andrew Walton, inspired by an ancient chalk figure on the Dorset Downs known as the Rowley Round Ring (Roll Around Ring), named for the surveyor John Rowley who, in 1710, first recorded another antique geoglyph, the Long Man of Wilmington.
The significance of this particular design is not fully understood but it recalls similar turf-cut labyrinths called Troy Towns, after the deliberately confusing construction of their walls, perhaps intended to keep unwelcome spirits trapped within.
Each winter, at the full cold moon, a blessed cheese is rolled around the circle by an eminent local cheesemaker in a ritual offering to the gods, celebrating the newborn baby cheeses.
A new initiative was started in the borough of Kensington this year by The Rev’d Stephen Fielding of St Mary Abbots church, to engage with the various businesses of the borough. The idea was to create a Living Advent Calendar, where each day, participating businesses in a different location would unveil a window display to create an advent calendar across the parish. Each business would ask an artist to create an artwork for their window which would illustrate the Christmas theme of Peace To The World, and each day at the unveiling of the window, a small celebration would be held to unite businesses, locals and visitors to the area to add to the sense of community. Continue reading “A Living Advent Calendar – Peace To The World”
Sunday dawned cold and sharp, the sun straining through the early morning Ditchling mist. We took a walk around the village, just as the sun broke through, illuminating walls of flint and brick. Continue reading “South Downs Sunday”
It was half term. Sue was on holiday from school for a week so we went down south to the South Downs for a weekend. I don’t get a half term break otherwise we might have stayed longer. But it was perfect. Blue skies and a chance to breathe some clear Sussex air. Continue reading “South Downs Saturday”
Ronnie Duncan has been collecting art for more than 60 years, often supporting artists at early stages in their careers. Much of his collection – including works by Terry Frost, Alan Davie, Roger Hilton and Ian Hamilton Finlay – is displayed around Duncan’s home and garden near Otley. It was here that director Jared Schiller and cameraman Stephen Pook filmed “an evocation of the collector’s home”.
This little film appeared on my screen on Sunday, dropped by a passing bird, and instantly took root.
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Documentary exploring the life and work of writer and art critic John Berger. The film is an intimate portrait of a man who has shaped our understanding of the concept of seeing.
Art, politics and motorcycles – on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger.
Berger lived and worked for decades in a small mountain village in the French Alps, where the nearness to nature, the world of the peasants and his motorcycle, which for him deals so much with presence, inspired his drawing and writing.
The film introduces Berger’s art of looking with theatre wizard Simon McBurney, film-director Michael Dibb, visual artist John Christie, cartoonist Selçuk Demiral, photographer Jean Mohr as well as two of his children, film-critic Katya Berger and the painter Yves Berger.
The prelude and starting point is Berger’s mind-boggling experience of restored vision following a successful cataract removal surgery. There, in the cusp of his clouding eyesight, Berger re-discovers the irredeemable wonder of seeing.
Realised as a portrait in works and collaborations, this creative documentary takes a different approach to biography, with John Berger leading in his favourite role of the storyteller.
At 19, Eduardo Chillida (1924-2002) was a gifted athlete on his way to becoming a football legend. But brutal injury during a game pushed him out of professional sports forever. No one except Pilar Belzunce, his lifemate, suspected at the time that the young Hernani goalkeeper was about to rewrite their destiny and become one of the greatest sculptors of the twentieth century.
A short documentary about Eduardo Chillida, borrowed from Spanish state television RTVE.
