What Is Paintable?

Through The Trees

My primary interest in painting for the last 40 years has been how to depict and respond to a range of landscapes. Before I can begin to think about painting a place, there has to be a specific reason to do so, and the place must have a particular resonance with me. My recent work can be divided up into three groups: paintings of Tuscany and Umbria, paintings of Andalucía and paintings of the Thames Estuary around the RSPB reserve at Rainham Marsh, not too far from my home. Continue reading “What Is Paintable?”

Frames of reference

Jonathan Christie: Paintings & Drawings

This is a rare opportunity to see several pictures by Jonathan Christie gathered together in one place; it’s his first solo exhibition anywhere and we’re honoured to host it in our window throughout June. Paintings and drawings inspired by favourite places and favourite artists, from Venice to St Ives via Ben Nicholson and Eric Ravilious and all stations to Alfred Wallis. Continue reading “Jonathan Christie: Paintings & Drawings”

Frames of reference

Walking Back To Montefollonico

We’d just walked to Montepulciano in the blistering midday sun, feeling a bit like ‘mad dogs & Englishmen’ as we climbed the last few kilometres, quivering from heat exhaustion, thirsty and hungry and pretty sure we’d be returning to Montefollonico in a taxi. But after a surprising lunch at L’Altro Cantuccio we were rejuvenated and given new legs to walk us back home. Continue reading “Walking Back To Montefollonico”

Frames of reference

Pieve Di Corsignano

IMG_3390

One evening we came down the hill from Pienza to see the original parish church, which dates from the time when the town was still known as Corsignano. Luckily we found the caretaker sweeping up rose petals after a wedding and he invited us to look inside. Continue reading “Pieve Di Corsignano”

Frames of reference

In Pienza

IMG_2100 (1)

Pienza was the creation of Pope Pius II. He was born here in 1405 when it was known as Corsignano, and in 1458 he commissioned the architect Bernardo Rossellino to replace it with a Utopian new town, intended to be the rival of Siena. The buildings around the main piazza were built within three years, but the rest was never completed. The ideal city remained little more than a village. Continue reading “In Pienza”

Frames of reference