Rowley Gallery Blog
We were in West Dorset at last and I was elated. I’d long wanted to drive these roads. We were in a maze of high banks and hedgerows, hidden from the wind, burrowing back down to earth, gone to ground. Continue reading “Deep Lanes & Holloways”
We’ve a great little window exhibition by Melvyn Evans for July. Paintings, drawings and linocuts, plus a couple of tiny little boat sculptures that look like they sailed straight out of his pictures. Continue reading “Stone Tree Forest Sea”
Early last Sunday morning, 20th June, I went to the forest. It was quiet and very green. There was no-one else there. Rain was falling on the Lost Pond. Under the trees there was just a gentle rustle in the leaves. And a luminous light off the water. I was in a green church full of birdsong. Continue reading “A Tree For Jazmin Velasco”
It was a bright Sunday in April. From Aspenden we’re away to the west down the village lane and out beyond the church alongside The Bourne and into the great yonder. Continue reading “From Aspenden”
We’ve a windowful of Wisemans for the month of June; paintings by David and pots by Betty. Twisted and tangled, thrown, dripped, brushed. Rivers and trees, woodland water and clay turned on a rainbow. Continue reading “Wiseman & Wiseman”
This is the cricket ground at Roebuck Green, Buckhurst Hill where we started from. Maybe I should’ve titled this post Walking With Shadows, I was so taken with them that’s almost all I photographed, they were so strong and well-defined. It was a bright Sunday and for once, instead of avoiding the busier parts of the forest, we just dived straight in, choosing to follow the wider paths. Mostly it was not too crowded. Continue reading “An Easter Sunday Walk”
Happy Birthday Bob
A combination of chopped-up newsreel and fever dream, “Murder Most Foul” is Bob Dylan’s most striking piece of work in years. This is the author of “Desolation Row” populating a 17-minute song with a lifetime of remembered cultural fragments, zooming out and panning back and forth from the single pivotal event of the Kennedy assassination, plucking references out of the heavy air.
An eloquent introduction by Richard Williams from just over a year ago. Read the rest of it here – thebluemoment.com.
The song was used in one of the first “modern” promotional film clips, the forerunner of what was later known as the music video… The original clip was the opening segment of D. A. Pennebaker’s film Dont Look Back, a documentary on Dylan’s 1965 tour of England. In the film, Dylan, who came up with the idea, holds up cue cards with selected words and phrases from the lyrics. The cue cards were written by Donovan, Allen Ginsberg, Bob Neuwirth and Dylan himself. While staring at the camera, he flips the cards as the song plays… The clip was shot in an alley close to the Savoy Hotel in London. Ginsberg and Neuwirth are briefly visible in the background. – Subterranean Homesick Blues
