Rowley Gallery Blog
This painting by Ben Nicholson, titled c.1930 (Cornish Port), features on the cover of Art and Life 1920-1931, the catalogue for the exhibition at Kettle’s Yard in Cambridge, examining the artistic partnership of Ben Nicholson and Winifred Nicholson in the 1920s and their friendship and collaboration with Christopher Wood, Alfred Wallis and the potter William Staite Murray. Continue reading “Art & Life (& Memory)”
First there was this Christmas card from a painting by Mick Moon, made with oil paint & string on board and called simply Tree. Then I heard the three Staveley-Taylor sisters (aka The Staves) singing Winter Trees:
Continue reading “Winter Trees”
Another photograph from the Guardian’s Eyewitness series. These are some of the 500 sculptures of Father Christmas created by students of the sand artist Sudarshan Pattnaik on the beach at Puri in Orissa, India.
Sue sent me this awesome photo by Robert Bösch. It seemed a natural follow up to yesterday’s It’s High Time. It’s another from the Eyewitness series. It shows 28 climbers striking a pose as they climb the Ago del Torrone in northern Italy, transforming it into some kind of weird alpine cactus.
This is another from the Guardian’s Eyewitness series, and it’s also another in a developing Frames of Reference series. This is Cwm Idwal, a valley in Snowdonia, and a word which seems to keep recurring, either as cwm or combe or comb. See earlier posts Down & Round & Up & Over and Wind Comb and Combe Again. This time it’s a photograph which won the National Parks Landscape Photograph Competition by Michal Tekel and it’s what you might call sublime.
A young couple, framed by trees, walk the line down the tunnel of love, a two mile long section of railway near the town of Klevan in the Ukraine. A train runs down it three times a day. They’d better watch out for the Love Train!
This photograph is another from the Guardian’s Eyewitness series.
I couldn’t resist this one. It’s another from the Guardian’s Eyewitness series. Gymnast Jordyn Wieber performing on the balance beam, photographed by Timothy A Clary at Madison Square Garden, New York. It’s so perfectly framed you’d be forgiven for thinking it was done by The Rowley Gallery!
A spectacular Navajo sandstone formation, known as The Wave, at Coyote Buttes in the Arizona desert, south west United States. This place is difficult to find, there are no signposts and it is accessible only by foot. The picture is from Eyewitness, a series of often remarkable photographs on the Guardian website. I was reminded of it by Liz Somerville’s image at the end of yesterday’s post.