Penwith Peninsula

Whilst writing the previous post about Cornwall I remembered this set of Richard Long photos, the first thing I ever framed for myself. See the beautifully joined corners, marvel at those hand-cut windows, but note that I neglected to put any fixings on the back to hang it, so for 25 years or more it’s just been standing around. The photographs and text were printed by Coracle Press as a concertina booklet, and although I often visited their tongue & groove lined gallery in Camberwell, I think I bought it at Arnolfini in Bristol. It was titled A Day’s Walk Past The Standing Stones Of Penwith Peninsula. Kai took one look at it and immediately decided that was to be my challenge, to walk those nine stones in one day! I’m not so sure. Continue reading “Penwith Peninsula”

Frames of reference

Running & Painting

Running and painting surprisingly have much in common, the main similarity being that they are both totally engrossing activities. Both are an integral part of my life where withdrawal symptoms occur if stopped for any length of time. They both allow me to lose myself in the struggle and sheer pleasure of the activity and forget any other pressing problems. Continue reading “Running & Painting”

Frames of reference

La Poissonnerie Bleue

Marcel Gatteaux just brought us this souvenir of his recent trip to France. It is presently displayed centre stage in The Rowley Gallery window. I’m hoping that as well as a fishmonger he’ll bring us a butcher, a baker and a candlestick-maker too. There is something about its simplicity and its proportions and the way it fits the frame that marks this as one of his best. See it here on our website and see what a difference a frame makes.

Frames of reference

Carrick Roads

The shrine of Ben Ainslie at the Pandora Inn, Restronguet. The waters hereabouts are where he learned to sail. The post box was painted gold to celebrate his achievement as the most successful Olympic sailor, being the first person to win medals in five different Olympic Games. Continue reading “Carrick Roads”

Frames of reference

En Plein Air

Getting into habits regarding working methods can be really liberating. You only have to think of Morandi and the way his limited subject matter and studio discipline created ultimate freedom for him. I have been used to making my landscapes from thumbnail sketches done in the landscape and then making my paintings in the “tranquility of the studio”, a well tried and tested almost Victorian attitude. Like Bonnard and others I find painting in front of the landscape impossible, there is simply too much information to process, and like lots of artists I will see detail too early and the resulting painting won’t work. Continue reading “En Plein Air”

Frames of reference

The Savill Garden

Last time we came to Windsor Great Park we tried to visit The Savill Garden but left it too late and by the time we got here it was closed, so we promised to return before too long. This time we got here in time for lunch at the Savill Building and just inside the the front door, opposite the ticket desk and beside a Diamond Jubilee display by a local primary school I made a surprising discovery. Continue reading “The Savill Garden”

Frames of reference