Jonny Hannah At Kensington Place

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There’s a new Art Wall at Kensington Place chockablock with fruits de mer and other tasty sea flavoured morsels by Jonny Hannah. He’s entitled it What Did The Deep Sea Say? and if you’re curious to know the answer, if you’re hungry for more please drop in next time you’re passing. Continue reading “Jonny Hannah At Kensington Place”

Frames of reference

Beautiful Cosmos

This is for Ivor Cutler, in performance at the Theatre Royal, Drury Lane with The Roches, in the next seat at a Dollar Brand concert at Camden Town Hall, in the same train carriage from Hampstead Heath to Gospel Oak, now sadly departed. Also for Cosmo the cat, Beautiful Cosmo. These colour photographs are 100 years old from Russia. Cosmo is 15 years old from a cat shelter in Haringey.

Frames of reference

Folly Hill Return

Faringdon skbook

July just before the Olympics I sat on Faringdon Folly Hill. Bright sun. Clear colour. White Horse Hill in the distance. From the west a ripple of coloured bands. Wavering smoke rainbow. Drawn through the Vale of the White Horse by a squadron of the Red Arrows as they practiced for the Olympics. Paul Nash battle of Britain paintings enacted just for me. Continue reading “Folly Hill Return”

Frames of reference

Beckett At Sixty

on having an idea (endgame) photo chris harris

Samuel Beckett rehearsing Endgame and ‘having an idea’ with the San Quentin Drama Workshop at Riverside Studios in Hammersmith in 1980. I worked there intermittently in those days, even had a small exhibition of my paintings there, and the house photographer Chris Harris, knowing how much I loved Beckett, gave me a print of this photograph for my birthday. Continue reading “Beckett At Sixty”

Frames of reference

Sutra

Five years after its first performance I finally got to see Sutra last week at Sadler’s Wells. It was worth waiting for. It’s an intense, concentrated burst of energy. 20 Kung-Fu monks behaving like curious cats in an exuberent exploration of the ins and outs of boxes. It opens with a ‘choreographer’ (down right) describing a moving line by hand over miniature boxes whilst a monk (centre stage) dances the same line over full size boxes. This duality continues throughout the performance, playing with ideas of thought/action, self/other, inner/outer, micro/macro… Continue reading “Sutra”

Frames of reference