Rowley Gallery Blog
At this time of year, when the almond blossom is in full bloom and it’s often windy my terrace gets covered with blossom and I like to incorporate it into my papermaking process. Continue reading “Making Paper In Andalucia”
We just received this flyer from Howard Phipps, whose wood engraving of Thomas Hardy’s Study At Max Gate is reproduced on the cover. Continue reading “Slightly Foxed”
We just received this notice of a forthcoming event at The Idler Academy in Notting Hill – Continue reading “Marianne Stokes”
Last summer on holiday in Catalonia, we visited Girona where we chanced upon this striking installation by Àlex Nogué. It occupied one room of a small municipal exhibition space, Bolit-La Rambla. It consisted of 28 sheets of paper with ink and pencil drawings on the back wall, 56 trays filled with water on the floor, 2 digital second counters on the ceiling, one counting forwards and one counting backwards. It was possible to step through the hole in the wall and walk around the installation, but really best viewed from this position where it appears framed. It seemed to be an archetype, a symbol of time & place, heaven & earth, shadow & light, growth & decay. It was so simple and elegant and memorable, and more perfect for being found by accident. Continue reading “My Life As A Tree”
On Thursday evening we had a party at The Rowley Gallery to launch Christopher Corr’s new book, The Goggle-Eyed Goats. It was published on World Book Day by Andersen Press in London and Gallimard Jeunesse in Paris. We hung the gallery with Christopher’s paintings for the book, together with more of his other paintings, and created a joyful and exuberant feast for the eyes which we’re now reluctant to take down. Here are some photos from the book launch, courtesy of Clare Simms at Andersen Press. Continue reading “Goat Party”
A reminder that Christopher Corr’s goats are let loose today, March 1st at The Rowley Gallery, 115 Kensington Church Street, W8 7LN from 6 o’clock. Books and paintings and artist on display.
Stop Press! We’re acting the goat! Special offer one night only 10% discount on sale of goat paintings.
Because of his fondness for transforming cheesy show tunes I felt sure that Sonny Rollins must have played The Lonely Goatherd at some time, especially with that goatee. It would have been right at home on his What’s New album. I can almost hear it. His lyrical saxophone singing the melody, then deconstructing it with one of his abstract solos over a rhythm of congas and bongos. But I can’t find a recording anywhere. We’ll have to imagine it, and make do with this version by Eddie Cano. Continue reading “The Lonely Goatherd”
A few weeks ago my wife and I spent a few days in the Wirral to see pictures I had in the annual exhibition of the National Acrylic Painters Association in the Williamson Art Gallery and Museum, Birkenhead. I was so pleased with the hanging of my work and so impressed with the beautiful gallery, a truly local gallery so well looked after, away from all the razzamatazz of the Tate Liverpool etc. across the Mersey. Continue reading “Trip To Birkenhead”
This beautiful butterfly cut-out was made by Joseph Silcott from a vintage Michelin map of the Dordogne and Lot river valleys. The central butterfly at the top with the green body features St Cirq Lapopie. Others display Rocamadour and Cahors. Joseph simply draws with scissors to release the butterflies from the map. Continue reading “St Cirq Lapopie”
