Cows About Town

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Sussex Charolais 12

A new herd of Jelly Green’s vivacious cow paintings has just arrived. Their energy is infectious, their vitality contagious. They have a way of getting into my head and sticking in my mind. They’re the visual equivalent of earworms; they must be eyecows! Now I’m seeing cows all over town. Continue reading “Cows About Town”

Frames of reference

Stations Of The Crossing

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This railway bridge on Wightman Road crosses the Gospel Oak to Barking Line just as it passes under the East Coast Main Line out of Finsbury Park. I regularly cross this bridge, either going to work or coming home and many times I just sit here in a queue of traffic, but the view is often mesmerising, especially when the sun is shining on these timeworn panels of blistered paint. Continue reading “Stations Of The Crossing”

Frames of reference

Villa Panza

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Villa Panza is a grand 18th century mansion in the hillside suburb of Biumo Superiore, overlooking the city of Varese. It was the home of Count Giuseppe Panza, art collector and a great champion of Minimalist and Conceptual Art. He bought his first painting in 1956, by Antoni Tàpies and in 1966 he began collecting work by Brice Marden, Richard Serra and James Turrell. In 1996 the house was donated to the nation and opened to the public after major restoration work in 2000. Continue reading “Villa Panza”

Frames of reference

Arboretum

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Ivon Hitchens, Oak Tree in Purple Woods, Southampton City Art Gallery

In 2013 St Barbe Museum in Lymington organised an exhibition entitled Under the Greenwood: Picturing British Trees (accompanied by an impressive book published by Sansom). The exhibition was curated by Tim Craven of Southampton Art Gallery, himself a painter. Continue reading “Arboretum”

Frames of reference

Juliette Losq & David Wiseman

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This interview originally appeared in the London Group Newsletter.

JL – We share in common a childhood in Essex (with parents moving out from London). Do you think that growing up in this semi-rural / suburban environment has influenced your work, or experiences as an artist in general?

DW – I was brought up on one of the first sprawling council estates to be built in Essex, in the also newly built Basildon New Town. But we were surrounded by countryside and spent all our free time as kids outside, summer and winter. I remember there were special mysterious woodland places, special trees and streams that you grew up with so I suppose this may have had an influence. Continue reading “Juliette Losq & David Wiseman”

Frames of reference