For Geri Allen

I first knew Geri Allen when she played with Charlie Haden and Paul Motian. She was referred to then as the new Keith Jarrett, a lazy comparison just because he also played with Charlie Haden and Paul Motian. But she always played her own piano. She and Charlie and Paul made some great albums together, all three of them now sadly departed, and then I discovered this performance with Dave Holland and Jack DeJohnette from 1993. And I’m so glad it exists, she is absolutely radiant, she shines with confidence and generosity and beauty. Play it again and again. For Geri Allen, 1957-2017.

If you liked this you might also like to see – Perfection.

Frames of reference

Standards

00:20 I Wish I Knew 08:50 If I Should Lose You / Late Lament 28:25 Rider 42:20 It’s Easy To Remember 50:10 So Tender 1:02:40 Prism 1:17:18 Stella By Starlight 1:27:50 God Bless The Child 1:44:50 Delaunay’s Dilemma – Koseinenkin Hall, Tokyo, 1985.

Prompted by the previous post, I was reminded of Keith Jarrett (there’s a live recording of him playing Still Life, Still Life, a lovely free-form ballad from 1973 at The Village Vanguard in New York with Dewey Redman, Charlie Haden and Paul Motian) so I went searching for concert videos. I couldn’t find Still Life, Still Life but I found two beautiful recordings of the Standards trio. Keith Jarrett, Gary Peacock and Jack DeJohnette first recorded together in 1977 for an album of compositions by Gary Peacock called Tales Of Another. Six years later they came together again to record a set of “standards”, which proved so successful that the trio went on to make another 21 albums, most of them recorded live in concert at venues all around the world. Continue reading “Standards”

Frames of reference

Still Life Still Life

A selection of chalk-pencil drawings by Aaron Kasmin displayed in the Rowley Gallery window together with the objects that inspired them – the depictions and the depicted. The objects are not for sale but the pictures are; they’re souvenirs, simulacra, tokens of affection. Continue reading “Still Life Still Life”

Frames of reference

Campomoro

We drove to the horizon for breakfast. Campomoro was the most distant point visible from our terrace. We followed the winding coast road south from Propriano through Portigliolo and up to Belvedère then down to Campomoro for coffee at the beach café where we shared the last croissant. We were headed for the headland, the Pointe de Campomoro and its Genoese tower dated 1568. Continue reading “Campomoro”

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The Wet Desert

One day I will finally get to Wistman’s Wood. It’s haunted me for years. But for now here’s a glimpse of it lost on Dartmoor. An arboreal oasis in a wet desert, a vestigial reminder of the temperate rainforest that once grew on this now sodden moorland. Continue reading “The Wet Desert”

Frames of reference

The Poetry Of Forms

To get the new year off to a good start we went down to Margate for a rare chance to see work by Hans/Jean Arp. He was born in Strasbourg, the son of a French mother and a German father. When he spoke in German he referred to himself as “Hans”, and when he spoke in French he referred to himself as “Jean”. It was a dual exhibition, but first we had to get past the crowds outside. Continue reading “The Poetry Of Forms”

Frames of reference

Brought To Light

Roger Ackling lived on the north Norfolk coast where he collected driftwood. His house was close to the cliff’s edge, which was constantly eroded by the North Sea. Maybe his house is now under the sea. He recorded his time there by making his mark on the driftwood he found on the beach. Using the lens of a magnifying glass he burned sunspots to leave his shadow on the wood. Continue reading “Brought To Light”

Frames of reference

Pagliaghju

Pagliaghju was difficult to find. We drove past it a few times without even seeing the sign. Each time we looked it up the spelling was different. The sign was invisible and the spelling was variable. I’ve seen Pagliaghju, Palaggiu, Pagliaju, Palaghju, Pallagiu and finally Palagahiu. Continue reading “Pagliaghju”

Frames of reference

An Interview With Jonny Hannah

A short film about Jonny Hannah, with thanks to the Heart Agency for allowing us to share it.

Jonny Hannah / The Rowley Gallery

If you enjoyed this you might like to see a few more of Jonny’s blogposts:

Ouvrez Les Fenêtres De Votre Coeur / The Darktown Turbo Taxi / Main Street / Jonny Hannah At Kensington Place / Jonny’s Jackets / La Mer / A Wee Book Of British Folklore / Mingus Says…

Frames of reference

Ouvrez Les Fenêtres De Votre Coeur

The Rowley Gallery has a new, hand-painted February window. It’s a vibrant cornucopia of visual delights. The notice reads Ouvrez Les Fenêtres De Votre Coeur: A Darktown Valentine’s Window by Jonny Hannah, and wherever you look you’ll find lovehearts on parade. Along the front lower edge of the window there’s a collection of found records, their sleeves lovingly repainted and still containing a vinyl disc, though not necessarily the one illustrated on the cover. Continue reading “Ouvrez Les Fenêtres De Votre Coeur”

Frames of reference