Morning

I found this lovely video on Instagram thanks to Myles O’Reilly.

Laura Quirke (guitar, vocals) and Claire Kinsella (cello, vocals) started performing together while studying music and languages in Maynooth University, Ireland. Harmonious vocal melodies simply accompanied by cello and guitar, lend a sincere and honest rootsy sound, borrowing from wide range of influences, traditional and alternative. The result is music described by Remy’s Music Blog as “soothing for the soul”.   Continue reading “Morning”

Frames of reference

Fools & Dreamers: Regenerating A Native Forest

Fools & Dreamers: Regenerating a Native Forest is a 30-minute documentary telling the story of Hinewai Nature Reserve, on New Zealand’s Banks Peninsula, and its kaitiaki/manager of 30 years, botanist Hugh Wilson. When, in 1987, Hugh let the local community know of his plans to allow the introduced ‘weed’ gorse to grow as a nurse canopy to regenerate farmland into native forest, people were not only skeptical but outright angry – the plan was the sort to be expected only of “fools and dreamers”.

Now considered a hero locally and across the country, Hugh oversees 1500 hectares resplendent in native forest, where birds and other wildlife are abundant and 47 known waterfalls are in permanent flow. He has proven without doubt that nature knows best – and that he is no fool.

Find out more about the film at foolsanddreamers.com.

Frames of reference

Pharoah | Fall

I just found this, posted a year ago:

Choosing to remain in the shadows, and always searching for the perfect reed, saxophonist Pharoah Sanders is one of the unspoken giants of jazz. He is one of the few musicians to have had the honor, and virtuosity, of playing alongside musical legends Sun Ra, John and Alice Coltrane, Don Cherry, and Ornette Coleman. Together they transformed the landscape of jazz by rewriting the rules of harmony and rhythm.   Continue reading “Pharoah | Fall”

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These Paintings Are Of Themselves

I am grateful to James Kalm for giving us a private view of this Brice Marden exhibition of new work in New York. I love it. I love these beautiful, shaky, trembling, late paintings. To look at them is to unravel them, to see how they were made, and witness the hand that painted them. These paintings are of themselves, but also of everything else. They’re calligraphies written with hand-held branches, they’re a web of tree-top canopies, they’re the mycorrhizal networks in the forest floor, they’re the internet cables that connect us and separate us, that tie us together and keep us apart, they’re the vessels that run through our bodies. They’re survivors of a world that is fast disappearing, they’re reminders of why we are here. Thank you Brice.

These paintings are of themselves

Frames of reference

The Life Breath Song

A wee film poem nature song. I found this over at Caught By The River. Kathleen Jamie asked the Scottish public to submit lines for a communal poem. She received hundreds and hundreds and knitted them together with help from the Scottish Poetry Library into three films. This is one of them.

Frames of reference

Gymnopédie No.1

Alexandre Tharaud joue la Gymnopédie No.1 d’Erik Satie au coeur du musée.   Continue reading “Gymnopédie No.1”

Frames of reference