Penwith Peninsula

Whilst writing the previous post about Cornwall I remembered this set of Richard Long photos, the first thing I ever framed for myself. See the beautifully joined corners, marvel at those hand-cut windows, but note that I neglected to put any fixings on the back to hang it, so for 25 years or more it’s just been standing around. The photographs and text were printed by Coracle Press as a concertina booklet, and although I often visited their tongue & groove lined gallery in Camberwell, I think I bought it at Arnolfini in Bristol. It was titled A Day’s Walk Past The Standing Stones Of Penwith Peninsula. Kai took one look at it and immediately decided that was to be my challenge, to walk those nine stones in one day! I’m not so sure. Continue reading “Penwith Peninsula”

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Running & Painting

Running and painting surprisingly have much in common, the main similarity being that they are both totally engrossing activities. Both are an integral part of my life where withdrawal symptoms occur if stopped for any length of time. They both allow me to lose myself in the struggle and sheer pleasure of the activity and forget any other pressing problems. Continue reading “Running & Painting”

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La Poissonnerie Bleue

Marcel Gatteaux just brought us this souvenir of his recent trip to France. It is presently displayed centre stage in The Rowley Gallery window. I’m hoping that as well as a fishmonger he’ll bring us a butcher, a baker and a candlestick-maker too. There is something about its simplicity and its proportions and the way it fits the frame that marks this as one of his best. See it here on our website and see what a difference a frame makes.

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Carrick Roads

The shrine of Ben Ainslie at the Pandora Inn, Restronguet. The waters hereabouts are where he learned to sail. The post box was painted gold to celebrate his achievement as the most successful Olympic sailor, being the first person to win medals in five different Olympic Games. Continue reading “Carrick Roads”

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En Plein Air

Getting into habits regarding working methods can be really liberating. You only have to think of Morandi and the way his limited subject matter and studio discipline created ultimate freedom for him. I have been used to making my landscapes from thumbnail sketches done in the landscape and then making my paintings in the “tranquility of the studio”, a well tried and tested almost Victorian attitude. Like Bonnard and others I find painting in front of the landscape impossible, there is simply too much information to process, and like lots of artists I will see detail too early and the resulting painting won’t work. Continue reading “En Plein Air”

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Jelly Green At Kensington Place

Kensington Place have now confirmed that they will be showing three new paintings by Jelly Green from Thursday 20th September. After 25 years they are taking down their large mural to make way for a new programme of changing exhibitions. This new display space will be known as The Art Wall.

It reminds me of another Art Wall I saw recently, by my granddaughter. See it here, and be sure to leave a comment!

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Highgate Olympics

Dear Chris,…. France was so hot, too hot to think sometimes. I’m glad you had a good time in Cornwall. And refreshing sounds very nice…. I was in Kenwood on Sunday (19th August) and it was very beautiful. I saw this Olympic scene in an old shop window in Highgate Village…. maybe something for the blog? It used to be an old second hand bookshop but is now in between uses. Hope all’s well at Rowley, best wishes, Chris. Continue reading “Highgate Olympics”

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