Le Chêne Vert

This little painting hung on the wall of our house in Calvi. It looked like the campanile of one of the churches we visited yesterday, perhaps in Calenzana or maybe Montemaggiore.

The Genoese… besides tending their gardens, they built churches, so many over the centuries… that the region was called ‘holy Balagne’; today their bell towers charmingly punctuate the landscape like a series of mild exclamation marks.

Corsica: Dana Facaros & Michael Pauls

But when I took it down I found Église d’Avapessa handwritten on the back. Continue reading “Le Chêne Vert”

Frames of reference

La Balagne

For one week in May this was our bedroom window, with its view of the Golfe de Calvi and the mountains beyond, with Monte Grosso 1,938 metres and Monte Padro 2,393 metres, two of the highest in Corsica. Every morning their silhouette was gradually illuminated as the sun rose behind them, projecting fast-moving cloud shadows onto their faces, with every morning a different view. Continue reading “La Balagne”

Frames of reference

Which Way Up

For John McLean, 1939-2019.

Sadly I’m not allowed to post this video on our blog, but please watch it here.

John McLean is a Scottish abstract painter with work in some of the world’s great public art collections. In 2013 he was diagnosed with Parkinson’s disease. This feature-length documentary charts McLean’s struggle to carry on working as the disease takes hold. He proves to be an engaging, humorous and always fascinating companion as he allows us access to the most private of spaces; the artist’s studio. Parkinson’s gradually locks him into disability but he heroically and resolutely refuses to give up on his paintings.

“If you walk down the street with him he’ll notice some small architectural detail really high up quite obscure, and a little detail on a chocolate biscuit, the concaveness of the centre of it, which seems quite minor at the time, but it just shows this exploration into things visual and shapes, it’s all comical quite often and witty but then also deeply like kind of comes from being intrigued by life.”

Jack Fawdrey, studio assistant

Frames of reference

Jonathan Christie: Paintings & Drawings

This is a rare opportunity to see several pictures by Jonathan Christie gathered together in one place; it’s his first solo exhibition anywhere and we’re honoured to host it in our window throughout June. Paintings and drawings inspired by favourite places and favourite artists, from Venice to St Ives via Ben Nicholson and Eric Ravilious and all stations to Alfred Wallis. Continue reading “Jonathan Christie: Paintings & Drawings”

Frames of reference

Hepworth | Nicholson

Another beautiful Ben Nicholson exhibition, this one shared with Barbara Hepworth and framed within the elegant rooms of Hazlitt Holland-Hibbert in Bury Street, St James’s, until 12th July.

‘Barbara Hepworth | Ben Nicholson: Sculpture and Painting in the 1930s’ brings together over thirty works created by two of the most influential artists of the Twentieth Century. As the first ever loan exhibition to focus solely on this pivotal period in their careers, co-curated by their granddaughter Sophie Bowness and Professor Christopher Green of the Courtauld Institute, it presents sculpture, paintings and works on paper produced during this formative decade. The show contains work borrowed from major private and public collections, including Abbot Hall Art Gallery, the Courtauld Gallery, the Pier Arts Centre, the Sainsbury Centre for Visual Arts and the National Galleries of Scotland, and will feature rarely seen works from the artists’ family collections, as well as archival material from the Hepworth Estate. Continue reading “Hepworth | Nicholson”

Frames of reference