Rowley Gallery Blog
These tiny cows are the missing link between Susie Freeman and Jelly Green. I can imagine them displayed in knitted pockets (Captive Friesians) or portrayed with bright and lively brushstrokes (Captivating Herd). I borrowed the photo from Eva the Weaver.
Susie Freeman brought us a few more pieces of work, just in time for Christmas. This one is already gift wrapped. Is the yellow ribbon significant? Is it part of the artwork? Not really. Susie opened the frame to swap its contents then couldn’t close it securely, so she tied it together. I like it. Maybe we should adopt this method of framing. Continue reading “Gift Wrapped”
A dress of pills by Susie Freeman & Pharmacopoeia highlighting the increasing incidence of diabetes. Continue reading “Femme Vitale”
The exhibition Compass finishes soon so Art@42 are having a Closing Party on Thursday 16th May. Please RSVP to the gallery.
My Pharmacopoeia colleague, Liz Lee was featured on TV last week in the BBC 2 series Keeping Britain Alive – The NHS in a Day. Watch it on iPlayer.
Susie Freeman / The Rowley Gallery
Susie Freeman’s Compass exhibition opened last week. This is her piece Bacteriology Illustrated in the window of Art@42 late on Saturday night. It features Susie’s signature machine-knitted pocket fabric formed into a dress. The pockets contain fragments torn from the pages of the book. Continue reading “Compass Update”
This is a detail of Compass, a giclée print by Susie Freeman from 2012 and the inspiration and title for an exhibition of her recent work at Art@42 from 28th March. Continue reading “Compass”
This procession is at the British Library but we took a circuitous route to find it. We started out for old times’ sake from the Brunswick Centre. Sue used to share a nearby flat, the Gate Bloomsbury (now renamed Renoir) was our local cinema and later Coram’s Fields was always a favourite place to bring the girls, but not today. Continue reading “To Mughal India”
Susie Freeman brought us more work last week. This is Forest, a small collection of nuts and berries and other fruits of the forest, a kind of visual potpourri, stored in knitted pockets and displayed in an oak frame. Continue reading “Freeman’s Forest”
Ten years ago I received a strange email marked ‘cacklegoose’. Curious both because the author was nameless but more so due to she? he? offering ‘artistic material’ in the form of 328 razor blades. Further corresponding revealed it was from the writer and publisher Michael Raeburn of Cacklegoose Press. When his father, Walter Raeburn, died in 1972 Michael discovered a box of all the razor blades he’d used since the late 1920s along with the well worn razor in its purple velvet-lined case. Continue reading “A Good Shave”
Joseph Silcott came to see us today and reminded me that Valentine’s Day is not far away. How could I forget? He arrived with six new pieces, two of which are shown here. The first, L.O.V.E. Love, gives a deferential nod to Robert Indiana and is named after a song by Al Green. Continue reading “Sweet Nothings”