Rowley Gallery Blog
Here is a little home movie of Jelly Green painting a Charolais, one of her grandfather’s cows (hence the grandad song) from his farm at Dallinghoo, famous not only for dairy cattle but also for the Dallinghoo Treasure, a hoard of Iron Age gold coins discovered in 2008. Jelly will be exhibiting some of her own treasures at the Alde Valley Spring Festival from 21st April until 20 May. More of her paintings can be seen at The Rowley Gallery.
I ventured up to Sotheby’s, New Bond Street, to see a version of The Scream by Edvard Munch (1863-1944). The version consigned to the saleroom and auction next month in New York is a pastel drawing by the artist. The image of The Scream is reckoned to be only second to that of the Mona Lisa in terms of art awareness in the general public conscience, and is regarded as the archetypal image of angst and anxiety of modern man. Continue reading “The Scream”
When I read what Robert Newton said in his post My Work about how he can get ecstatic with excitement when his particular method of painting works, it made me think about that feeling when a painting is all of a sudden finished, as if by magic, even though you’ve maybe spent weeks and weeks or months even, working on it. Continue reading “Waiting For Inspiration”
Another type of Comb. Not the hollow in the hills of Combe, sheltered from the wind, but here is a place to witness the wind. Eduardo Chillida’s Wind Comb. Three steel sculptures anchored to the rocks at the western end of San Sebastian bay. There are also some quite effective blow-holes beneath the pavement. Continue reading “Wind Comb”
It’s Grand National day and I’ve just received a surprise collection of images from Christopher Corr that he made at Goodwood last year. It seemed appropriate to show them on Frames of Reference.
And it just occurs to me that the title of the previous post, Down & Round & Up & Over, might well be a description of the Grand National itself. Continue reading “A Day At The Races”
Walking down from Walbury Hill towards West Woodhay, beneath a sky criss-crossed with the vapour trails of other, more urgent travellers. Continue reading “Down & Round & Up & Over”
This series of landscape studies has been painted entirely on location. They are all painted from the same viewpoint near Beachy Head in East Sussex and are sections selected from the panoramic view. They are a direct response to what I saw and the experience of being in the landscape. Continue reading “Near Beachy Head”
There are no excuses really, except I love this song, and today’s my birthday (and Jessie’s), and I’m very glad Mr Infinite Green made this delightful cinematic compilation. It also marks the 100th post on this blog. Join hands and get on board.
These beautiful Mbuti barkcloth paintings are part of an exhibition at Raven Row called The Stuff That Matters. I was surprised and delighted by them, and taken back to 1980 when I saw an advertisement in Art In America for an exhibition of Pygmy Drawings at the Linda Einfeld Gallery in Chicago. The illustration struck a chord with me then and I wrote off for a catalogue. Continue reading “The Beauty Of Mbuti”
