These visual illustrations attempt to complement a contemporary music take on Unaccompanied Cello music. This version is derivative of the iconic J.S. Bach Cello Suites written 300 years earlier with both compositions containing implied three-to-four-voice contrapuntal and polyphonic music in a single line. Uniquely, composer Norman adds ingenious changing metric structural patterns posing an added challenge to the performer. The effect is a rich rhythmic mosaic indicative of the Baroque aesthetic.