Rowley Gallery Blog
We finally got to see Henri Matisse: The Cut Outs, the long awaited exhibition at Tate Modern, though perhaps a wet bank holiday Monday during half-term was not the ideal time to visit. Continue reading “Matisse, Scissors, Paper”
The bullfinch is surrounded by fragments of information describing both the natural and man-made world. There is a sense that this information has been sought, viewed and downloaded on a hand held screen. This is indicated by the excellent wireless signal displayed in the top right hand corner.
James Read’s The Bullfinch is included in this year’s Royal Academy Summer Exhibition.
See more by James Read at The Rowley Gallery.
This exhibition at the Art Workers’ Guild in Bloomsbury features work produced during both the Great War and in the uncertain years which followed. Continue reading “Aftermath”
For one of my 65th birthday presents recently I received a superb little book, now something of a collectors piece, called Seaside Surrealism: Paul Nash in Swanage by Pennie Denton. Continue reading “Paul Nash & Swanage”
Much of last year I worked with my Pharmacopoeia partner, GP Liz Lee, on a commission for Denmark. Medicinsk Museion is a combined research unit and public museum at Copenhagen University, which in recent years reinvented itself by developing insightful, contemporary exhibitions alongside their historical collection of medical equipment and artefacts. Continue reading “Foam To Femme”
I’d heard of a Daguerrotype but not a Woodburytype until this one arrived on our counter for framing. Developed by Walter B Woodbury in 1864, the Woodburytype has been described as – ‘the most beautiful photographic reproduction process ever invented’. Continue reading “A Close Obama”
This is Sailing To Shanghai, an early painting by Christopher Corr. We sold it recently to a fellow traveller who was curious to know its story, so I asked Christopher for more information. He sent us a few words and a lot more images. Continue reading “Sailing To Shanghai”
I recently accepted a commission via a client of The Rowley Gallery who had seen my work there. It was to celebrate the landmark 40th birthday of her husband. The commissioned piece was to be one of my Butterfly Balls composed of 40 butterflies created from a black and white map of the area of London where they lived (Shepherd’s Bush). Continue reading “Life Begins At 40”
Beatrice Forshall’s hand-coloured drypoint engravings appear in the May/June issue of Resurgence magazine, illustrating an essay by Germaine Greer on the logical path from feminist to conservationist. Continue reading “Ecological Feminism”
We were welcomed to Much Hadham by a hysteria of wisteria, as though a single vine had united the genteel facades in a euphoric May bank holiday communal hug. Its root system spread throughout the village, linking the houses with its benevolent infrastructure. Or was that just my imagination? Continue reading “Much Hadham & Much Moore”