Cutting It Fine: The Art of the British Wood Engraver is an exhibition at Salisbury Museum, showcasing works by twenty-one of the leading British wood engravers of the last hundred years. All the prints are on loan from a single private collection. They include Gwen Raverat, Eric Ravilious, John Nash, Paul Nash, Leon Underwood, Rachel Reckitt, Gertrude Hermes, Monica Poole, Anne Desmet and Neil Bousfield. Continue reading “Cutting It Fine”
Earlier this year (it was April, a week after we’d walked from Aspenden), and a walk that went unrecorded, in waybegone daze, that seems more like eight years ago now than just eight months. How can one year feel like so many more? We’d returned to Ayot St Lawrence again, but this time we’d been spun off in a different direction to last time. Continue reading “From Ayot St Lawrence (Again)”
I was given this book a few years ago by friends from Kansas City. I’d not really examined it closely until just now. Essentially it’s a book of veneers, its pages are leaves of wood. Continue reading “A Wooden Book”
I am grateful to James Kalm for giving us a private view of this Brice Marden exhibition of new work in New York. I love it. I love these beautiful, shaky, trembling, late paintings. To look at them is to unravel them, to see how they were made, and witness the hand that painted them. These paintings are of themselves, but also of everything else. They’re calligraphies written with hand-held branches, they’re a web of tree-top canopies, they’re the mycorrhizal networks in the forest floor, they’re the internet cables that connect us and separate us, that tie us together and keep us apart, they’re the vessels that run through our bodies. They’re survivors of a world that is fast disappearing, they’re reminders of why we are here. Thank you Brice.
I’m still waiting to see this gorgeous film, but for now here’s a little taster. Dogs, fungi, trees, what more could you possibly ask for? Except to see below for an extended preview. Continue reading “The Truffle Hunters”