Murder Most Foul

A combination of chopped-up newsreel and fever dream, “Murder Most Foul” is Bob Dylan’s most striking piece of work in years. This is the author of “Desolation Row” populating a 17-minute song with a lifetime of remembered cultural fragments, zooming out and panning back and forth from the single pivotal event of the Kennedy assassination, plucking references out of the heavy air.

An eloquent introduction by Richard Williams from just over a year ago. Read the rest of it here – thebluemoment.com.

Frames of reference

Subterranean Homesick Blues

The song was used in one of the first “modern” promotional film clips, the forerunner of what was later known as the music video… The original clip was the opening segment of D. A. Pennebaker’s film Dont Look Back, a documentary on Dylan’s 1965 tour of England. In the film, Dylan, who came up with the idea, holds up cue cards with selected words and phrases from the lyrics. The cue cards were written by Donovan, Allen Ginsberg, Bob Neuwirth and Dylan himself. While staring at the camera, he flips the cards as the song plays… The clip was shot in an alley close to the Savoy Hotel in London. Ginsberg and Neuwirth are briefly visible in the background.Subterranean Homesick Blues

Frames of reference