I love the Annely Juda Gallery very much. I’ve been visiting as long as I’ve lived in London and it always feels like I’m coming home. I first knew it as a small warehouse space in Tottenham Mews, next-door to the Angela Flowers Gallery. It was all scrubbed floorboards and whitewashed walls hung with jewel-like fragments of Bauhaus, De Stijl and Russian Constructivist art. Most exhibitions seemed to be called The Non-Objective World and they were always a great education in abstraction. In 1990 she moved to Dering Street where I first discovered the work of Eduardo Chillida, and saw an exhibition of minimal white reliefs by Alan Reynolds. It was a revelation. Continue reading “A Small Retrospective”
