At the beginning of Stan Brakhage’s filmmaking career, he read all the writings of Sergei Eisenstein he could locate, and this dense montage film is one result. A record of an encounter between Brakhage, Jane, and their friends James Tenney and Carolee Schneemann, it intercuts fragments of each with a cat, floral wallpaper, an embroidered fabric. The figures, the cat, and inanimate objects are made to collide with each other, but they also seem to mysteriously commingle, almost as if alchemically transforming themselves into each other, people becoming objects and animals, and inanimate things seemingly becoming human.
