The Anni Albers exhibition at Tate Modern begins with a handloom. It is a wooden instrument made of frames and strings and pedals, with a stool for its operator to sit on. Threads pass rhythmically to and fro, writing the score of warp and weft. It might be likened to a piano whose musical offerings are captured for posterity in recordings of woven textiles. Continue reading “Anni Albers”
