Bach: Grupo Corpo

Brazilian dance ensemble Grupo Corpo performing their 1996 piece Bach, (“it’s like a game between what one hears and what one sees”), choreographed by Rodrigo Pederneiras with music by Marco Antônio Guimarães (channelling J.S.Bach).

Grupo Corpo | Bach

Frames of reference

Bach’s Cello Suite No. 6

Cello Suite no. 6 in D major, performed by Sergey Malov on a violoncello da spalla (shoulder cello) at the Gashouder of the Westergasfabriek in Amsterdam.

In this last suite, which is also the longest, Bach makes the instrument ascend to heaven. He does so by using an extra fifth string – ‘a cinq cordes’, as Anna Magdalena Bach described it in the manuscript. The fifth string lies a fifth above the A string, which is usually the highest. You might even argue that Bach allows the cellist to transcend their own instrument.

Recorded for All of Bach, a project by the Netherlands Bach Society.

Frames of reference

Boomwhacker Bach

I found this video at Open Culture and couldn’t resist sharing it here.

Since 1999, the French juggling group Les Objets Volants (The Flying Objects) have been entertaining audiences worldwide. Beyond juggling, their shows incorporate elements of theater, visual arts and even mathematics. And the group takes special pride in exploring new ways of handling and manipulating everyday objects. Which brings us to the performance above. There you can see Les Objets Volants perform Bach’s Prélude N°1. (which more typically sounds something like this) on “boomwhackers,” those hollow, color-coded, plastic percussion tubes, which are tuned to different musical pitches. Recorded last March, the clip is an outtake from a Les Objets Volants show called “Liaison Carbone,” which explores concepts in physics. Enjoy.

Frames of reference

Casals & Bach

August 1954, aged 77, Pablo Casals performs Bach’s G-Major Suite for solo cello at Abbaye Saint-Michel-de-Cuxa near Prades in the French Pyrénées.

In an ancient abbey in the south of France I once heard invisible plainsong. I realised eventually that it came not from speakers, nor from monks hidden behind a screen, but from a fellow tourist who sang as he moved through the building, exploring its rich acoustics. It was surprising and beautiful. How amazing it would have been to discover Casals playing Bach.

Bach Unwrapped is a year long series of over 70 concerts throughout 2013 at Kings Place, London.

Frames of reference