I thought I would begin my first contribution to the Rowley’s new blog by showing some images inside my studio. It is a large wooden building (35′ x 15′) that I built 25 years ago in my garden in West London after a succession of shared studios. This is now biodegrading with me. I am hoping it lasts me out! Continue reading “Garden Studio”
Chris Keenan, potter and friend of The Rowley Gallery, is hosting an open studio along with fellow ceramicists at Vanguard Court, 36-38 Peckham Road, London, SE5 8QT. The private view is Thursday 1st December 5-8pm. Then Friday-Sunday, 2nd-4th December 11am-5pm.
Pictured here are a set of celadon and tenmoku beakers. See more of Chris’s work on his website.
We have been blessed with Jenny Franklin’s magical watercolours since 2006, when Kai and I first started showing pictures at The Rowley Gallery. Shown here is Flotsam (Shells), Australia, one of a series of paintings of rock pools. Jenny’s watercolours are virtuoso technical performances. They are also revelations of the world around us, grown out of close observation, transformed and re-presented, they capture the essence of her subject. She quotes the artist poet Jean Arp, who spoke of “a secret primal meaning slumbering beneath the world of appearances”. Continue reading “Jenny Franklin”
It’s hard not to love this little film, by Sophie Windsor Clive and Liberty Smith, of a chance encounter on the River Shannon with one of Nature’s miracles.
This is a recent piece by Joseph Silcott. Redundant banknotes, no longer in circulation, dexterously hand-cut and metamorphosed into butterflies. Is this a sign of the times or does he just enjoy cutting expenditure?
Over the past few weeks we have been framing 28 landscape photographs, all mounted with hand-written inscriptions, for financial journalist Jeff Prestridge. They are a record of his coast to coast walk in June this year. They will be exhibited at 201 Bishopsgate, London on 29th November, from 6-9pm. All proceeds from the sale of photographs and the associated book will go to the Brathay Trust. Continue reading “Coast To Coast”
This year’s Christmas card is from a specially commissioned painting by David Hollington. Continue reading “Christmas Card”
On a recent trip to Suffolk, driving up the coast from Orford, we took a detour through Saxmundham hoping I might find a fleece. The weather had turned cooler and we were planning a circular walk from Dunwich. Saxmundham was fleeceless but Sue had spotted some paintings in the window of a frame shop. They were vibrant accomplished paintings of cows heads staring directly back at us. Like a face to face encounter, capturing all the animal’s character and vitality with a few sure brushstrokes. Continue reading “Suffolk Jelly”
Sometimes it can seem that our job as picture framers is to domesticate artworks for the gentle folk of Kensington. This huge, tumultuous and exuberant painting arrived in our workshop in August at the height of the London riots. Buildings were burning, shops were being looted, we were all wondering where it would erupt next, and in the circumstances this painting seemed emblematic, like some kind of apocalyptic landscape. Not only was it enormous but it was also a riot of colour, and containing it would be a challenge. But yet framing did not tame it’s wildness. Despite being framed it remains a beautiful force of nature. Continue reading “All The Little Wonders”
Here are some that I’ve been saving up. This first one, Intemperie by Catalan artist Perejaume, was at Fondation Maeght, St Paul de Vence in 2007. An enclosure built of picture frames, facing inwards inviting you to step inside and look through them at paintings by Bonnard, Leger and Chagall on the gallery walls beyond. It was originally sited on a mountain top in Garraf, south of Barcelona, where it could be used as an observatory of the surrounding landscape. Continue reading “Frameworks”