The Lisson Gallery at 27 Bell Street in London is presently home to a fascinating and wonderful collection of sculptures by Ai Weiwei, cast iron facsimiles of tree roots grubbed up from the Amazon rainforest even before the latest round of Bolsonaro inspired deforestation wildfires. Melancholy mementos of ancient trees untimely ripped and castaway via traditional Chinese craftsmanship. Continue reading “On Bell Street”
This time last year we’d recently returned from Sicily, and two sultry weeks in Ortigia, where the balcony of our apartment looked out over the sea. We watched through our crystal ball, waiting each day for a breeze, but the sailing boats passed by inverted, the air was still and we were becalmed. Continue reading “One Last Day In Ortigia”
A small collection of work by Chris Kenny in the window of The Rowley Gallery
Paintings in gouache and ink produced in Provence over the last five summers, each initiated by the biography of a saint, extending the Instagram @twigsaints project.
Constructions employing found materials – cut hardback book covers and twigs – that act as dynamic three-dimensional drawings provoking a range of associations without adhering to any explicit subject.
Chris Kenny has work in many collections including the British Museum, the V&A and the Museum of London. He is currently exhibiting at Mucem in Marseille. Continue reading “Scenes From The Lives Of The Saints”
These visual illustrations attempt to complement a contemporary music take on Unaccompanied Cello music. This version is derivative of the iconic J.S. Bach Cello Suites written 300 years earlier with both compositions containing implied three-to-four-voice contrapuntal and polyphonic music in a single line. Uniquely, composer Norman adds ingenious changing metric structural patterns posing an added challenge to the performer. The effect is a rich rhythmic mosaic indicative of the Baroque aesthetic.
These days I seem to be mostly listening to cello music. I was recently introduced to this wonderful video performance by Ashley Bathgate of a piece written for her by Andrew Norman, inspired by J S Bach’s Prelude from the Fourth Cello Suite. It’s energetic, bouncy, playfully repetitive and fantastic.