Art & Life (& Memory)

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This painting by Ben Nicholson, titled c.1930 (Cornish Port), features on the cover of Art and Life 1920-1931, the catalogue for the exhibition at Kettle’s Yard in Cambridge, examining the artistic partnership of Ben Nicholson and Winifred Nicholson in the 1920s and their friendship and collaboration with Christopher Wood, Alfred Wallis and the potter William Staite Murray. Continue reading “Art & Life (& Memory)”

Frames of reference

California Etching

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Pallant House in Chichester has been mentioned on this blog more than once. It has a fantastic permanent collection and over the years has presented some wonderful touring exhibitions. A year or so ago I saw an exhibition which brought together two artists I really admire, Gwen John and Celia Paul, similar I suppose because they might be thought of as being a bit reclusive. Continue reading “California Etching”

Frames of reference

Why I Depict Birds In My Work

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The object of art is not to reproduce reality, but to create a reality of the same intensity.
Alberto Giacometti

I graduated from art college in 2008 having specialised in drawing and painting. It had been a challenging experience and I stumbled into the real world with a sense that I had been existing in a bubble for five years. I was determined to become an artist, to retain my creative integrity and to develop and further the skills I had gained at college. My degree show was packed full of birds and animals, but at this point my inspiration was taken from drawings of the old Victorian cabinets of the Chambers Street museum in Edinburgh. Continue reading “Why I Depict Birds In My Work”

Frames of reference