At The Hepworth Wakefield

We were on our way home, driving back to London by a circuitous route, still dazed and drained after my mother’s funeral, going through the motions and not really focussed, just not wanting to arrive too soon. From one Barbara to another. It seemed a fitting tribute to visit the Barbara Hepworth museum to remember our own Barbara. After a beautiful eulogy these beautiful sculptures can be remembered as a monument to her passing. Somewhere to pay our respects on our way home. Continue reading “At The Hepworth Wakefield”

Frames of reference

The Colour Of Memory

The entrance to the Pierre Bonnard exhibition at Tate Modern is a portal through a giant detail reproduction taken from his painting The Garden of 1936. It’s perhaps his best painting. It’s the one that most draws me in, most like a garden itself with it’s abstract disposition of marks and colours, it reminds me of paintings by Patrick Heron and Gillian Ayres. And there are other paintings here that bring to mind Paul Cézanne, Henri Matisse, Howard Hodgkin, David Hockney. But before all of that, we’re straightaway into a red gallery with ‘hot’ paintings of Bonnard’s mistress, full-frontal nudes and a post-coital bedroom scene. The gardening comes later. Continue reading “The Colour Of Memory”

Frames of reference

Patrick Heron

It was the dark limbo daze between Christmas and New Year, when the days melt namelessly into each other and the sun goes on holiday. So we went to the seaside, looking for some winter colour. The Patrick Heron exhibition at Turner Contemporary in Margate was just the ticket. Continue reading “Patrick Heron”

Frames of reference

Generation Painting

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In Cambridge to visit the recently opened Heong Gallery, a former stable block in the grounds of Downing College, transformed by architects Caruso St John into an elegant space for the display of modern and contemporary art. Continue reading “Generation Painting”

Frames of reference

Notes From St Ives

Just a few notes and pictures after a wonderful trip to St Ives. I was down to exhibit again with the National Acrylic Painters Association who were showing in the famous Crypt Gallery which in the 1940s was the venue of exhibitions by the Crypt group when St Ives was at the cutting edge of British painting and sculpture. Continue reading “Notes From St Ives”

Frames of reference

Pencil Drawing

During the last year I began a series of pencil drawings. Inspired by a recently re-read wonderful essay by Patrick Heron on Constable drawings, I thought that on recent trips to Weymouth and the Isle of Wight I would leave behind my bag of colours, rollers, sponges, etc. and get back to the basic pencil. Continue reading “Pencil Drawing”

Frames of reference