Otmoor

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I was born just after WW2. My parents had moved to Noke when they married in the early 1940s. We lived in a tiny cottage, totally lacking modern amenities. No electricity, water from the well and an earth loo in ‘The Elm Barn’, a shed with a grand name, all set in a third of an acre of orchard. An artist’s retreat from the hurly burly of war torn London. This was my world. Apple trees to climb, a stream to splash in, and a duck pond beyond the gate where my brother and I sailed catamaran boats whittled from elder sticks. Continue reading “Otmoor”

Frames of reference

To The Horizon

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As a birthday treat Sue took me for a walk on the Dengie Peninsula on the far eastern shore of Essex. She had her eyes on the horizon. We arrived via Burnham-on-Crouch, a pretty Georgian estuary town but with the saddest fish & chips and a clown to scare the children. His car was parked next to ours. We made our escape towards Southminster, but we got ensnared by the Burnham Loop where we revolved time and again around the endless fenlands (afeared lest we contract Dengie Fever from the mosquito-infested swamps) until finally we saw the error of our ways (a misplaced signpost) and we were at last expelled to Tillingham and ultimately onwards to Bradwell-on-Sea. Continue reading “To The Horizon”

Frames of reference

Ankerwycke

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Ankerwycke is a small corner of riverside farmland and historic parkland on the north bank of the Thames at Runnymede. Planes fly over constantly, in and out of Heathrow and there’s a continuous drone from the M25 half a mile downstream, yet this place still remains a hidden green sanctuary. Runnymede gets all the visitors and Ankerwycke gets overlooked. Continue reading “Ankerwycke”

Frames of reference

Montefegatesi

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We were on the lookout for ancient trees. I asked for directions at our local Tourist Information in Bagni di Lucca. The forests here are mostly sweet chestnut and we were told that there were some Castagni Monumentali in the hills of the Garfagnana, high above the town. Continue reading “Montefegatesi”

Frames of reference

Barga & Beyond

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I’d read of a huge tree, a monumental cedar of Lebanon, that grows just outside the walls of the town of Barga in northern Italy. It was born in 1814 and transplanted here in 1836 where it became adopted as a symbol of Giovine Italia (Young Italy) and Italian unification. Continue reading “Barga & Beyond”

Frames of reference

Quercione

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We’d read about a giant oak tree, Quercione (big oak), north of Montecarlo in the province of Lucca, in a village called San Martino in Colle. It sounded magical and intriguing but also a little confusing.

Where the hill of Monte Carlo declines in the north slope below the village of San Martino in Colle, there is the “Quercione of Carrara.” This is a monumental oak (Quercus pubescens), whose age exceeds 500 years, the height of 14 meters, the circumference of the shaft 4 meters and the opening of branches more than 30 meters. The surrounding lawn is charming place and meeting place for romantic encounters. On this tree are passed down legends of witches in her hair would keep, in the nights of full moon, their Sabbath. It is said, also, that this is the oak tree where the cat and the fox hanged puppet Pinocchio: Collodi, in fact, is a stone’s throw away. The place is always accessible and is definitely worth a photo. Continue reading “Quercione”

Frames of reference

Heaven’s Rope Swing

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Heaven’s Gate is a Capability Brown designed viewpoint overlooking Longleat House in Wiltshire. It’s a wonderful spot, a place to relax and drift away as the clouds unfold before your eyes.

The ground rises sharply to the east as far as Park Hill and Prospect Hill, on the top of which a viewpoint known as Heaven’s Gate looks out over the park. The slopes are planted with hanging beech woods, proposed by Brown but planted towards the end of the C18. Continue reading “Heaven’s Rope Swing”

Frames of reference

Chasing Golden Light

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A few weeks ago we went back to Epping Forest, before the leaves all disappeared, to soak up the seasonal colours and recharge our batteries. We’d been away far too long. It was the day we put the clocks back an hour, when darkness suddenly comes too soon. It was a beautiful autumn day but it felt like the sunlight was rationed and we hurried to catch the last of it. Continue reading “Chasing Golden Light”

Frames of reference

Manningtree (Slight Return)

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We came back to the North House Gallery in Manningtree to see Fin · River · Swift, a new exhibition by Julian Meredith. This piece is called Elmigration, a large woodcut measuring 3 metres by 1 metre, printed from a single plank of elm wood. Continue reading “Manningtree (Slight Return)”

Frames of reference