Rivers & Tides

I was just told about this film. I’d not seen it before. Why had I never heard about it? It is wonderful. It was made in 2000 but it still feels fresh and full of magic.

Landscape sculptor Andy Goldsworthy is renowned throughout the world for his work in ice, stone, leaves, wood. His own remarkable still photographs are Goldsworthy’s way of talking about his often ephemeral works, of fixing them in time… Now with this deeply moving film, shot in four countries and across four seasons, and the first major film he has allowed to be made, the elusive element of time adheres to his sculpture.

Director Thomas Riedelsheimer worked with Andy Goldsworthy for over a year to shoot this film. What Riedelsheimer found was a profound sense of breathless discovery and uncertainty in Goldsworthy’s work, in contrast to the stability of conventional sculpture. There is risk in everything that Goldsworthy does. He takes his fragile work – and it can be as fragile in stone as in ice or twigs – right to the edge of its collapse, a very beautiful balance and a very dramatic edge within the film. The film captures the essential unpredictability of working with rivers and with tides, feels into a sense of liquidity in stone, travels with Goldsworthy underneath the skin of the earth and reveals colour and energy flowing through all things.

Frames of reference

One Day In Calvi

We were staying at the top of the hill, behind the beach and the hotels, looking east over the bay to the mountains beyond. North of us was the Citadel but it only came into view as we descended the zigzag path back down into town. It seemed like a good place to begin exploring. Continue reading “One Day In Calvi”

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Devour

Drawing in the Jungle

For years now, each spring, Jelly Green has found refuge in the rainforest. She gradually realised she was developing an allergic reaction to the pesticide-sprayed fields of her native Suffolk, and so she escaped to the tree-clean air of Brazil, Sri Lanka, Borneo and New Zealand. The paintings she made there can be seen at Gallery@Oxo from the 4th to the 7th of April. The exhibition is called Devour. The paintings are delicious. Come and see and devour them with your eyes. Continue reading “Devour”

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Neapolis Archaeological Park

Last August, on holiday in Sicily, a short walk out of Ortigia through the hot dusty streets of Syracuse brought us to Neapolis, one of the largest archaeological sites in the Mediterranean. The entrance is beside the little Norman church of San Nicolò dei Cordari, which was built over part of an aisled Roman piscina, a reservoir to provide water for the nearby amphitheatre.  Continue reading “Neapolis Archaeological Park”

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Nature’s Vanishing Trick

This from Robert Macfarlane –

My teenage daughter Lily made this short video to try and explain to other young people — and to herself — why biodiversity loss, extinction & vanishing species really, really matter. It’s spoken from the heart. It’s about one of the vital issues of our times. Please share, show, discuss.

The video is free to use by anyone in any setting; no need to seek Lily’s permission or even to credit her. She just wants it to be seen, and for it to prompt discussion, awareness, action and change.

If you do want to acknowledge her, she’s Lily Macfarlane, and the video first went up on my Twitter feed (@RobGMacfarlane).

The video was made with the encouragement and support of Action For Conservation, an inspirational young conservation charity working with 12 to 17 year olds, for which Lily became a ‘youth ambassador’. Find out more about their amazing work at actionforconservation.org

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The Kingdom

A love letter to conservation, our changing climate, and the difference one person can make in a great big world. This is the quiet story of Sonam Phuntsho, a forest caretaker in the Kingdom of Bhutan, who has spent the last 60 years planting over 100,000 trees by hand.

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Patrick Heron

It was the dark limbo daze between Christmas and New Year, when the days melt namelessly into each other and the sun goes on holiday. So we went to the seaside, looking for some winter colour. The Patrick Heron exhibition at Turner Contemporary in Margate was just the ticket. Continue reading “Patrick Heron”

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Maisha London June 2017

Jake Long (drums), Nubya Garcia (saxophone/flute), Shirley Tetteh (guitar), Amané Suganami (piano/wurlitzer), Twm Dylan (double bass) and Tim Doyle (percussion) stretching out at the Boiler Room in June 2017. They’ve gone from strength to strength, and in November 2018 they released their long-awaited first album, There Is A Place, a beautifully uplifting collection of songs that recalls the music of some of the pioneers of spiritual jazz. I hear echoes of Pharaoh Sanders, Alice Coltrane, Gato Barbieri and Don Cherry. I can’t stop playing it. It’s my record of the year – There Is A Place.

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Backwards To Go Forwards

I found this video on Boxing Day at a fascinating website I just discovered called Arbutus Yarns, a great treasure house of Irish music built by Myles O’Reilly and furnished with all the gorgeous first-hand unadulterated musical beauty he can find. I think I’ll be visiting him again – Arbutus Yarns.

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