Keith Water

A small film about a small river.

I’d seen this delightful little film on Caught By The River, and when I asked Jonathan Gibbs if we might share it on Frames of Reference his reply was Yes, absolutely, great! Isabella spent all of lockdown with us, during which time she filled her bedroom with twigs, branches and other bits and pieces that you will see in the film. She made the herons out of wire and wood, and carved many small fish which swim through the film from start to finish. And then he showed me a website I’d not seen before, called Psyche. The words below are taken from their anonymous post. Continue reading “Keith Water”

Frames of reference

Sowing Seeds

In January I went to live and work in a small tribal village called Badanga in Rajasthan, India, along with international and national artists for two weeks. We were all selected to participate in the annual Sowing Seeds residency program, which has been hosted in different towns of Rajasthan for the past seven years. This was the first to be run at the farmhouse of Chiman Dangi, artist and founder of Sowing Seeds.  The whole village, especially the children, were very excited. Continue reading “Sowing Seeds”

Frames of reference

Being John McLean

This time last year, as relief from the winter gloom, we went down to Margate to see an exhibition of paintings by Patrick Heron. This year there’s no need to travel quite so far; the Art Space Gallery in Islington is full of winter sunshine until the end of January. I don’t know why I’ve never been before. It’s an intimate series of rooms and alcoves and niches, presently framing some wonderfully joyful bursts of colour by John McLean. It’s a memorial exhibition for a sharp, bright and generous spirit. Continue reading “Being John McLean”

Frames of reference

Bach Cello Solo No.1

In August 1954, at age of 77 Pau Casals (1876-1973) performed Bach’s G-Major Cello Solo at Abbaye “Saint-Michel-de-Cuxa”, a Catholic monastery located south of the small border town Prades in France (Catalonia of Spain is on the other side of border). Pau Casals settled in Prades in earlier 1940’s after the Spanish civil war in 1930’s, and he came back to Prada as the conductor and cellist at Prades Festival in 1950’s. A small museum in Prades is dedicated to the memory of Pablo Casals.

Frames of reference

Bach: Cello Suite No.1 in G Major, Prelude

Culture – the way we express ourselves and understand
each other – can bind us together as one world.

Frames of reference