From Moore To Serra

001

Henry Moore’s Large Spindle Piece, a cast bronze sculpture from 1974, now installed in the newly reappointed King’s Cross Square. For the past forty years the station was hidden behind an “awful tin shed” temporary canopy. It’s eventual removal, and the long overdue revelation of Lewis Cubitt’s elegant facade, is celebrated by the arrival of this captive “flying shuttle”. Continue reading “From Moore To Serra”

Frames of reference

Cows About Town

001

Sussex Charolais 12

A new herd of Jelly Green’s vivacious cow paintings has just arrived. Their energy is infectious, their vitality contagious. They have a way of getting into my head and sticking in my mind. They’re the visual equivalent of earworms; they must be eyecows! Now I’m seeing cows all over town. Continue reading “Cows About Town”

Frames of reference

A River Walk

001

The Cutty Sark at Greenwich was a good place to start. It was the weekend of the Greenwich Tall Ships Festival, the biggest gathering of tall ships in London for 25 years. They had all set sail from Falmouth to race to the Isle of Wight before celebrating in Greenwich. Continue reading “A River Walk”

Frames of reference

Parkland Walk

001

This is Finsbury Park Cycle Park on Stroud Green Road, London N4. It’s also the gateway to the Parkland Walk, a four and a half mile stretch of former railway line from Finsbury Park to Alexandra Palace and London’s longest local nature reserve. Continue reading “Parkland Walk”

Frames of reference

Much Hadham & Much Moore

001

We were welcomed to Much Hadham by a hysteria of wisteria, as though a single vine had united the genteel facades in a euphoric May bank holiday communal hug. Its root system spread throughout the village, linking the houses with its benevolent infrastructure. Or was that just my imagination? Continue reading “Much Hadham & Much Moore”

Frames of reference

Art & Life (& Memory)

001

This painting by Ben Nicholson, titled c.1930 (Cornish Port), features on the cover of Art and Life 1920-1931, the catalogue for the exhibition at Kettle’s Yard in Cambridge, examining the artistic partnership of Ben Nicholson and Winifred Nicholson in the 1920s and their friendship and collaboration with Christopher Wood, Alfred Wallis and the potter William Staite Murray. Continue reading “Art & Life (& Memory)”

Frames of reference

Return To Hampstead Heath

Rembrandt_Self_Portrait_with_Two_Circles_detail

Rembrandt returned to Hampstead Heath last November, back home again to Kenwood House after a holiday whilst the decorators were in. Self Portrait With Two Circles travelled to New York, Houston, Milwaukee, Seattle and Arkansas whilst Kenwood House was closed for over a year for maintenance work. I always like to call in to say hello whenever we’re passing so it was good to catch up. Continue reading “Return To Hampstead Heath”

Frames of reference

Staverton Thicks

001

In July I posted Elizabethan Oaks about the ancient oak trees of Hatfield Park, which prompted comments recommending Staverton Thicks, a dense, primeval woodland with the oldest oaks in East Anglia. I was intrigued. I’d not heard of it before. Continue reading “Staverton Thicks”

Frames of reference