Rowley Gallery Blog
Asked recently to frame this print I was told it was a map of all the trees in Kensington Gardens & Hyde Park. It sounded too good to be true. I wished it was but I knew it wasn’t, but it was a good excuse to go and check, to visit the trees on our doorstep, too often taken for granted. So we came for a closer look, through the rose-scented Orme Square Gate and into Kensington Gardens. Continue reading “A Walk In The Park”
I’d often wondered about Shoreham. It’s famous as the inspiration for many of Samuel Palmer’s bucolic paintings, but on the map it’s surrounded by motorways, an edgeland bordered by the M20, the M25 and the M26. I suppose I’d worried that it’s spell must have been broken. But then after a recent visit to Ankerwycke, also on the rim of the M25, I realised that magic can persist. Continue reading “Around Shoreham”
A Walk In The Woods
There’s a lovely and surprising exhibition by Jelly Green at the Alde Valley Spring Festival, and there’s not a single cow in sight! She’s abandoned her usual subject matter and gone for a walk in the woods, and lost herself in the green and tangled delights of the trees, and found herself there. Continue reading “A Walk In The Woods”
The Arborealists will stage their third exhibition at St Barbe Museum and Art gallery, Lymington, 23rd April – 4th June 2016, featuring new works by 35 artists. Each will show just one work to emphasise the diversity of art practice prevalent within the group – in terms of size, medium, style and philosophy. Continue reading “The Arborealists”
It’s said they planted trees by graves
to soak up spirits of the dead
through roots into the growing wood.
The favorite in the burial yards
I knew was common juniper.
One could do worse than pass into
such a species. I like to think
that when I’m gone the chemicals
and yes the spirit that was me
might be searched out by subtle roots
and raised with sap through capillaries
into an upright, fragrant trunk,
and aromatic twigs and bark,
through needles bright as hoarfrost to
the sunlight for a century
or more, in wood repelling rot
and standing tall with monuments
and statues there on the far hill,
erect as truth, a testimony,
in ground that’s dignified by loss,
around a melancholy tree
that’s pointing toward infinity.
※
Living Tree by Robert Morgan from Dark Energy, Penguin Books 2015
The Goosewoman & Old Bright, The Postman; c.1840. Private Collection
After 18 months of researching, writing, photographing and designing, my book George Smart, the Tailor of Frant: Artist in Cloth & Velvet Figures has finally been published. I first encountered George Smart’s pictures when I was a student at Maidstone College of Art over 25 years ago. I came across a few thumbnails of his work in a book by James Ayres and, despite being poorly printed, they jumped off the page at me and lodged themselves in my mind. Continue reading “George Smart”
We finally got to see the wonderful Charles & Ray Eames exhibition at the Barbican, but there were No Photography signs everywhere, which was a shame because it’s all so photogenic. It can’t be that it’s protected by copyright because there are lots of images on the internet. I guess the reasoning must be that if you can’t go home with a few souvenir photos then you’re more likely to buy the catalogue. Continue reading “The World Of Charles And Ray Eames”
Thirty paintings by David Mabb at the William Morris Gallery – The Arts & Crafts Movement meets Russian Constructivism. Mabb has superimposed pages from the Kelmscott Chaucer by William Morris with images by El Lissitzky from For The Voice, a book of revolutionary poems by Vladimir Mayakovsky, to create a double celebration of utopian art. Continue reading “Announcer”
We left the main road at Cross in Hand then down the back lanes to Chiddingly, an enchanting drive through the woods, alternately dappled with jewelled light sparkling through the leaves or dark and gloomy in sunken, narrow holloways, and always the threat of encountering oncoming traffic around the next bend of the single track road. It was an adventure even before we arrived. Continue reading “Farley Farm House”
A beautiful short film shot on Super-8 and painstakingly woven together by Adam Scovell. He was inspired by Robert Macfarlane, Stanley Donwood, Dan Richards and their book Holloway. I first stumbled into it here and I find it hard to leave. Adam has written a great piece about his film here. It’s mesmerising.