Rowley Gallery Blog
We just received a call for entries for Jerwood Open Forest, an opportunity for artists to submit proposals that explore the potential of forests as sites for art. The closing date is 28 May. More details from Jerwood Open Forest.
This is Sea Into Sky, an oil painting on paper from the forthcoming exhibition Littoral: John Hubbard In Context at the Luther W Brady Art Gallery, The George Washington University, Washington, DC from May 16 – June 28. It promises to be a great show – The exhibition highlights the painterly work of an American artist living in Dorset. His oils & charcoals on paper feature the sea, sky and tidal movement. But if Washington is too far to go you can also see John’s work at The Rowley Gallery.
Here’s a nice cartoon by Robert Crumb from Rock’s Back Pages on the pain of record collecting. Follow the link and the trail leads back to Discaholic Corner and a great interview with the cartoonist musician about his addiction to tracking down old 78s. Portrait d’un 78 Tard by Les Primitifs du Futur, on which he plays banjo, from their album World Musette, tells a similar tale –
There’s a new Art Wall at Kensington Place chockablock with fruits de mer and other tasty sea flavoured morsels by Jonny Hannah. He’s entitled it What Did The Deep Sea Say? and if you’re curious to know the answer, if you’re hungry for more please drop in next time you’re passing. Continue reading “Jonny Hannah At Kensington Place”
David Rees Davies brought us a few of his joyful paintings of birds. These are the first arrivals and hopefully more will follow soon, maybe a spring migration. He sent some words too. Continue reading “Conference Of The Birds”
July just before the Olympics I sat on Faringdon Folly Hill. Bright sun. Clear colour. White Horse Hill in the distance. From the west a ripple of coloured bands. Wavering smoke rainbow. Drawn through the Vale of the White Horse by a squadron of the Red Arrows as they practiced for the Olympics. Paul Nash battle of Britain paintings enacted just for me. Continue reading “Folly Hill Return”
Samuel Beckett rehearsing Endgame and ‘having an idea’ with the San Quentin Drama Workshop at Riverside Studios in Hammersmith in 1980. I worked there intermittently in those days, even had a small exhibition of my paintings there, and the house photographer Chris Harris, knowing how much I loved Beckett, gave me a print of this photograph for my birthday. Continue reading “Beckett At Sixty”
Five years after its first performance I finally got to see Sutra last week at Sadler’s Wells. It was worth waiting for. It’s an intense, concentrated burst of energy. 20 Kung-Fu monks behaving like curious cats in an exuberent exploration of the ins and outs of boxes. It opens with a ‘choreographer’ (down right) describing a moving line by hand over miniature boxes whilst a monk (centre stage) dances the same line over full size boxes. This duality continues throughout the performance, playing with ideas of thought/action, self/other, inner/outer, micro/macro… Continue reading “Sutra”
Susie Freeman’s Compass exhibition opened last week. This is her piece Bacteriology Illustrated in the window of Art@42 late on Saturday night. It features Susie’s signature machine-knitted pocket fabric formed into a dress. The pockets contain fragments torn from the pages of the book. Continue reading “Compass Update”
